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Detail from the autograph of the Cantata pastorale, 1716: Non s qual pi m'ingombra
Source: Musiksammlung der Staatsbibliothek, Berlin


Detail from the autograph score of Cantata da camera: Ombre tacite e sole, 31.10.1716
Source: British Library

Both the above cantatas are available for purchase through this site.
The Composer's Words
'I have marked ... at necessary places the louds and softs of the instruments, which are the only means of making that chiaroscuro which makes singing and playing attractive.'
(A. Scarlatti, on his opera, Il Gran Tamerlano 1706.)


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Rosemary Webber (violone)

studied at the Victorian College of the Arts, and subsequently at the Royal Conservatory, the Hague, on modern bass under Knut Guettler and on baroque bass and violone under Margaret Urquhart. Based in Melbourne, Rosemary freelances with early, modern and contemporary ensembles such as the Australian Brandenburg Orchestra, the Melbourne Symphony Orchestra, the Australian Chamber Orchestra, chacona and Libra. On the Scarlatti recording she plays a 1721 Johann Franz violone (G-tuning).


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